Premium 8-Channel Analog Mixer
with Perkins EQ and FireWire
O W N E R ’ S M A N U A L
1
2
3-4
AUX SEND
AUX RETURN
MAIN OUT
TAPE
OUT
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
1
2
IN
L
L
L
1
2
(MONO)
R
R
R
INSERT
INSERT
L
(MONO)
LINE IN 5-6
LINE IN 7-8
L
BAL/UNBAL
1
BAL/UNBAL
2
BAL/UNBAL
R
L
LINE
LINE
(MONO)
(MONO)
BAL/UNBAL
BAL/UNBAL
LINE
HI Z
LINE
HI Z
+
-10dB
4dB
LINE
-
-
R
R
48V
48V
48V
PREMIUM ANALOG MIXER w/ PERKINS EQ
&
FIREWIRE
CTRL ROOM/PHONES
30
30
30
U
U
U
U
0dB=0dBu
SOURCE
20
U
40
60
20
U
40
60
40
60
20
U
MIC
GAIN
GAIN
GAIN
GAIN
L
R
GAIN
CLIP
20
15
10
6
-20dB +40dB
-20dB +40dB
-20dB +20dB
-20dB +20dB
MAIN MIX
SEND
SEND
SEND
SEND
SEND
INPUT
PRE
POST
PRE
POST
PRE
POST
PRE
POST
LINE
FW 1-2
TAPE
3
U
U
U
U
U
EQ
EQ
EQ
EQ
0
HIGH
12kHz
HIGH
12kHz
HIGH
12kHz
HIGH
12kHz
HIGH
12kHz
-
FW 1-2
ALT 3 4
2
LEVEL
SET
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
4
1k
1k
U
7
HIGH
MID
FREQ
FREQ
U
U
U
U
10
20
30
ASSIGN TO
MAIN MIX
2.5KHz
100
8k
100
8k
-15
+15
+15
+15
MID
MID
U
U
U
2.5kHz
2.5kHz
-15
+15
-15
+15
LOW
MID
MID
MID
400Hz
O O
O O
MAX
MAX
-15
-15
+15
+15
-15
-15
+15
+15
-15
RUDE
SOLO
CONTROL
ROOM
PHONES
U
U
U
LOW
80Hz
LOW
80Hz
LOW
80Hz
LOW
80Hz
LOW
80Hz
AUX MASTER
-15
-15
+15
-15
+15
SEND
RETURN
AUX
AUX
AUX
AUX
AUX
1
1
1
1
1
1
2
1
2
PRE
O O
O O
O O
O O
O O
O O
MAX
MAX
MAX
MAX
MAX
MAX
MAX
MAX
MAX
MAX
O O
O O
O O
O O
+15
+10
+10
POST
RTN TO
AUX1
2
2
2
2
2
PRE
POST
O O
O O
O O
O O
+15
PAN
PAN
PAN
PAN
PAN
AUX SEND 1-2
TO FW 5-6
POWER
L
R
L
R
L
R
L
R
L
R
MUTE
MUTE
MUTE
MUTE
MUTE
OL
OL
OL
OL
OL
ASSIGN TO
FW 7-8
ALT 3-4
ALT 3-4
ALT 3-4
ALT 3-4
ALT 3-4
O O MAX
LEVEL
-
-
-
-
- 20
20
20
20
20
MIC
U
U
U
U
U
U
DESTINATION
O O +10dB
O O +10dB
O O +10dB
LEVEL
O O +10dB
LEVEL
O O +10dB
LEVEL
O O +10dB
AUX 1-2
PHONES
LEVEL
LEVEL
SOLO
SOLO
SOLO
SOLO
SOLO
1
2
TALKBACK
MAIN MIX
3-4
5-6
7-8
Set the levels
Quick Start
It’s not even necessary to hear what you’re doing to
set optimal levels. But if you’d like to: Plug headphones
into the phones output jack, then turn up the phones
knob just a little.
We realize that you must be really keen
to try out your new mixer. Please read
the safety instructions on page 2 and this
page, and then have a look through some
of the features and details in this manual.
1. Turn on the mixer by pressing the top edge of
the power switch.
2. For one channel, press the solo switch in, and
the rude solo light will turn on.
Setup
Use the mixer in a nice clean and dry environment,
free from dryer lint and dust bunnies.
3. Play something into that input at real-world
levels.
4. Adjust that channel's gain control until the
right main meter stays around the 0 dB LED
(marked "level set").
Zero the controls
1. Fully turn down all the knobs to minimum,
except for the channel EQ and pan controls,
which should be centered.
5. Disengage the channel's solo switch.
6. Repeat steps 2 to 5 for the remaining channels.
7. Turn up the channel level to the "U" mark.
2. Make sure all buttons are in the out position.
8. Slowly turn up the main mix level until you
hear the signals in your speakers.
Connections
9. If needed, apply some channel EQ wisely.
1. Make sure the AC power switch is off before
making any connections.
10. Adjust the channel levels to get the best mix.
Keep the gain controls and levels fully down on
unused channels.
2. Push the linecord securely into the IEC
connector on the rear panel, and plug it into a
3-prong AC outlet. The mixer can accept any
AC voltage ranging from 100 VAC to 240 VAC.
11. During the performance, if you notice a channel
OL LED turning on during peaks, carefully turn
down that channel's gain control until OL does
not turn on.
3. Plug a balanced microphone into one of the mic
XLR (3-pin) connectors. Or connect any line-
level signal (keyboard, or guitar preamp) to a
line input jack using a TS or a TRS 1/4" plug.
FireWire
4. If your microphone requires phantom power,
press in the 48V phantom power button.
• See page 35 for details of getting started with
FireWire.
5. You can connect a guitar directly to line inputs
1 or 2 without needing a DI box, if you first
engage the hi-z switch on these channels.
• PC drivers are on the supplied CD-ROM.
Mac OS X contains built-in drivers, so no
software installation is required.
6. The insert jacks of channels 1 and 2 can be
used to connect an external effects or dynamics
processor into the signal chain.
Other Notes
• When shutting down, turn off any power
amplifiers or powered speakers first. When
owering up, turn them on last. This will reduce
the chance of turn-on or turn-off thumps.
7. Connect the main outputs of the mixer (either
XLR or TRS 1/4") to the line level inputs of your
amplifier (with speakers already attached) or
to the line level inputs of powered speakers.
• Always turn down the phones level when
making connections, pressing solo, or doing
anything that may cause loudness in the
headphones. This will help protect your
hearing.
• Always turn down the main mix level and
control room level when making connections to
the mixer. Better yet, turn off the power.
Part No. SW0718 Rev. D 02/2010
©2010 LOUD Technologies Inc. All Rights Reserved.
Loosely based on a dream sequence in which the technical writer is given keys to a
sports car of his choice, unlimited gas, and closed roads. The dream suddenly ends and
reality kicks in. A mixer manual to write, a mixer manual to write!
• Save the shipping box!
Owner's Manual 3
Introduction
Thank you for choosing a Mackie Onyx 820i
professional compact mixer. The Onyx i series of mixers
offer built-in FireWire, along with the newest features
and latest technologies for live sound reinforcement
and analog or digital studio recording, all in a durable,
road-worthy package.
Features
• Premium 8-channel super-compact analog
mixer with integrated Fire wire I/O
• 2 mono channels (mono mic and mono line
inputs)
The Onyx 820i is equipped with three of our premium
precision-engineered studio-grade Onyx mic preamps.
Mackie is renowned for the high-quality mic preamps
used in our mixers, and the Onyx mic pre’s are better
than ever, with specifications rivaling expensive
stand-alone mic preamplifiers.
• 1 hybrid channel (mono mic and stereo line
inputs)
• 2 stereo channels (stereo line inputs)
• 3 Onyx mic preamps with sound comparable to
boutique preamps
• 3-band Perkins EQ with sweepable mids on
mono channels
Channels 1 and 2 feature high-impedance
instrument/line-level inputs so you can connect an
acoustic, electric, or bass guitar directly into the mixer,
eliminating the need for an external direct box.
• 4-band Perkins EQ on hybrid channels
• 3-band Perkins EQ on stereo line channels
• Flexible FireWire routing with up to 8 channels
pre/post EQ, aux sends and master L/R routable
to computer
Extremely adaptable DAW integration
Recording and Mixing
• 2 channels of FireWire monitoring routable to
either the control room or channels 7 and 8
Channels, aux sends or the master L/R can be sent
straight to your computer via FireWire for recording.
Pre/post EQ taps on every channel allow you to integrate
our renowned Perkins EQ into the record path. Plus, a
stereo return from your DAW, or iTunes® is assignable to
the control room section or straight back into channels
7 and 8 for mix integration.
• 2 independent aux sends with separate pre/post
switches
• Selectable instrument inputs on first two
channels – no DI box is needed
• Individual 48v phantom power switches on all
mic inputs
Powerful Effects Engine
• Talkback section with built in mic and flexible
routing
With both aux sends routable to your DAW, the 820i
allows you to use your favorite plug-in as a realtime
effect. Just route an aux send to your DAW, apply the
plug-in and assign your DAW outputs to the control
room or to a channel strip for instant integration into
the mix.
• "Planet-Earth" switching power supply for
worldwide use
• Optional rack kit available
Live Recording
Live sound recording could not be simpler with the
820i. The ability to record individual channels either
wet or dry allows for studio quality multi-track
recordings for later editing and mixdown. Or simply
record the main mix, allowing for immediate creation of
CDs right at the gig.
4 Onyx 820i
How To Use This Manual
The first pages after the table of contents are the
hookup diagrams. These show typical setups for fun
times with your mixer.
Next is a detailed tour of the entire mixer. The
descriptions are divided into sections, just as your mixer
is organized into distinct zones:
• Back panel
• Connection section
• Channel controls
• Master controls
Throughout these sections you’ll find illustrations
with each feature numbered and described in nearby
paragraphs.
This icon marks information that is critically
important or unique to the mixer. For your own
good, read them and remember them.
This icon will lead you to some explanations of
features and practical tips. Go ahead and skip
these if you need to leave the room in a hurry.
Appendix A: Service information.
Appendix B: Connectors.
Appendix C: Technical information.
Appendix D: Rack ear installation.
Appendix E: FireWire.
Appendix F: Modifications.
Need help with your new mixer?
Support to find: FAQs, manuals,
addendums, and other useful
information.
• Telephone 1-800-898-3211 to speak with
one of our splendid technical support
chaps (Monday through Friday, normal
business hours, PST).
Owner's Manual 5
Contents
CONTROL ROOM/PHONES AND METERS ............ 23
38. MAIN MIX .............................................. 23
39. TAPE, FW 1-2, ALT 3-4 ............................ 23
40. ASSIGN TO MAIN MIX............................. 23
41. CONTROL ROOM KNOB ........................... 23
42. PHONES KNOB........................................ 24
43. LEFT/RIGHT LEVEL METERS...................... 24
44. RUDE SOLO LIGHT ................................... 24
AUX MASTER..................................................... 25
45. MASTER AUX SEND 1 AND 2.................... 25
46. PRE/POST .............................................. 25
47. MASTER AUX RETURN 1 AND 2 ............... 25
48. RTN TO AUX 1 ........................................ 25
49. AUX SEND 1-2 TO FW 5-6 ....................... 25
50. POWER LED............................................. 26
TALKBACK ......................................................... 26
51. TALKBACK MIC........................................ 26
52. TALKBACK LEVEL ..................................... 26
53. DESTINATION: PHONES, AUX 1-2............. 26
54. TALKBACK SWITCH.................................. 27
MAIN MIX......................................................... 27
55. MAIN MIX ............................................. 27
56. ASSIGN TO FW 7–8 ............................... 27
APPENDIX A: SERVICE INFORMATION.................... 28
APPENDIX B: CONNECTIONS.................................. 29
APPENDIX C: TECHNICAL INFORMATION................ 31
APPENDIX D: RACK EAR INSTALLATION ................. 34
APPENDIX E: FIREWIRE......................................... 35
APPENDIX F: MODIFICATIONS ............................... 39
LIMITED WARRANTY............................................. 41
IMPORTANT SAFETY INSTRUCTIONS ........................ 2
QUICK START.......................................................... 3
INTRODUCTION ...................................................... 4
YOU ARE HERE ....................................................... 6
HOOKUP DIAGRAMS............................................... 7
FEATURES............................................................. 12
REAR PANEL...................................................... 12
1. POWER CONNECTION............................. 12
2. POWER SWITCH..................................... 12
3. FIREWIRE CONNECTIONS........................ 12
4. LEFT/RIGHT XLR MAIN OUTPUTS ........... 13
5. MAIN OUTPUT LEVEL.............................. 13
6. CTRL-RM OUT........................................ 13
7. ALT 3–4 OUT ......................................... 13
CONNECTION SECTION....................................... 14
8. MIC INPUTS........................................... 14
9. INSERT (CH. 1 AND 2)............................ 14
10. MONO LINE INPUTS (CH. 1 AND 2)......... 15
11. STEREO LINE INPUTS (CH. 3-8) ............... 15
12. AUX SEND 1 AND 2................................ 15
13. AUX RETURN 1 AND 2 ........................... 15
14. LEFT/RIGHT 1/4" MAIN OUTPUTS ......... 15
15. TAPE INPUTS ......................................... 16
16. TAPE OUTPUTS ...................................... 16
17. HEADPHONE OUTPUT ............................ 16
CHANNEL CONTROLS ......................................... 17
18. HI-Z SWITCH (CH. 1 AND 2 ONLY).......... 18
19. LOW CUT (CH.1–4 ONLY) ....................... 18
20. 48V PHANTOM POWER (CH. 1-4 ONLY).. 18
21. LINE +4 DB/-10 DB (CH. 3 AND 4 ONLY) 19
22. INPUT (LINE OR FW 1-2)........................ 19
23. GAIN CONTROL...................................... 19
24. SEND FIREWIRE PRE/POST..................... 19
25. HIGH EQ................................................ 20
26. MID EQ FREQUENCY (CH. 1 AND 2)......... 20
27. MID EQ LEVEL (CH. 1 AND 2).................. 20
28. HIGH MID EQ LEVEL (CH. 3 AND 4)......... 20
29. LOW MID EQ LEVEL (CH. 3 AND 4).......... 20
30. MID EQ LEVEL (CH. 5/6 AND 7/8) ......... 20
31. LOW EQ................................................. 20
32. AUX SEND 1 AND 2................................ 21
33. PAN....................................................... 21
34. MUTE SWITCH AND ALT 3–4................... 21
35. –20 AND OL LEDS .................................. 22
36. LEVEL .................................................... 22
37. SOLO..................................................... 22
6 Onyx 820i
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